<\/p>\n\n\n\n
Chez Wes Anderson, il y a tout ce qui normalement devrait irriter le cin\u00e9phile : un style, certes unique, mais r\u00e9p\u00e9titif (cadre carr\u00e9, regard cam\u00e9ra, travelling lat\u00e9ral, maquettes, etc.) Toujours la m\u00eame m\u00e9canique sc\u00e9naristique, du g\u00e9n\u00e9ral au particulier, r\u00e9p\u00e9t\u00e9e \u00e0 l\u2019envi. Des personnages st\u00e9r\u00e9otyp\u00e9s, dans des univers qui le sont encore plus.<\/p>\n\n\n\n
Vingt ans plus tard, The French Dispatch<\/strong> ne change rien \u00e0 l\u2019affaire. Les Royal Tenenbaums<\/strong> newyorkais sont r\u00e9incarn\u00e9s en midwesterns <\/em>exil\u00e9s \u00e0 Angoul\u00eame, France. Mais le changement de carte postale n\u2019affecte nullement le cin\u00e9aste : de l\u2019Inde \u00e0 Rhode Island, de la Mitteleuropa au Japon, rien ne change sous le soleil andersonnien.<\/p>\n\n\n\n Et ici, \u00e0 Angoul\u00eame, la magie op\u00e8re de nouveau. Car derri\u00e8re cette \u00e2me d\u2019enfant qui construit encore et toujours la maquette du Calypso<\/em>, fait tourner ses trains \u00e9lectriques et ses Circuit24<\/em>, et qui joue aux Playmobil <\/em>avec ses personnages, il y a un cerveau d\u2019adulte.<\/p>\n\n\n\n Dans tous les films de Wes Anderson, m\u00eame ceux directement destin\u00e9s aux enfants, les probl\u00e9matiques restent s\u00e9rieuses\u00a0: les parents absents (Fantastic Mr. Fox<\/strong>), la pollution (L’\u00cele aux Chiens<\/strong>)\u2026 M\u00eame si The French Dispatch<\/strong> est plut\u00f4t l\u00e9ger et comique, la mort et la folie r\u00f4dent.<\/p>\n\n\n\n On ne peut pas dire qu\u2019on rit \u00e0 chaque instant, mais ce qui est s\u00fbr, c\u2019est qu\u2019\u00e0 la fin on pleure.<\/p>\n","protected":false},"excerpt":{"rendered":" Chez Wes Anderson, il y a tout ce qui normalement devrait irriter le cin\u00e9phile : un style, certes unique, mais r\u00e9p\u00e9titif (cadre carr\u00e9, regard cam\u00e9ra, travelling lat\u00e9ral, maquettes, etc.) Toujours la m\u00eame m\u00e9canique sc\u00e9naristique, du g\u00e9n\u00e9ral au particulier, r\u00e9p\u00e9t\u00e9e \u00e0 l\u2019envi. Des personnages st\u00e9r\u00e9otyp\u00e9s, dans des univers qui le sont encore plus. Vingt ans plus tard, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-5723","post","type-post","status-publish","format-standard","hentry","category-les-films"],"_links":{"self":[{"href":"https:\/\/www.cinefast.com\/index.php?rest_route=\/wp\/v2\/posts\/5723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinefast.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cinefast.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cinefast.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cinefast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5723"}],"version-history":[{"count":1,"href":"https:\/\/www.cinefast.com\/index.php?rest_route=\/wp\/v2\/posts\/5723\/revisions"}],"predecessor-version":[{"id":5724,"href":"https:\/\/www.cinefast.com\/index.php?rest_route=\/wp\/v2\/posts\/5723\/revisions\/5724"}],"wp:attachment":[{"href":"https:\/\/www.cinefast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cinefast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cinefast.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}